It can be inferred that the “reluctance” mentioned in the passage is being ascribed to
Was Felix Mendelssohn (1809–1847) a great composer? On its face, the question seems absurd. One of the most gifted prodigies in the history of music, he produced his first masterpiece at sixteen. From then on, he was recognized as an artist of preternatural abilities, not only as a composer but also as a pianist and conductor. But Mendelssohn’s enduring popularity has often been at odds—sometimes quite sharply—with his critical standing. Despite general acknowledgment of his genius, there has been a noticeable reluctance to rank him with, say, Schumann or Brahms. As Haggin put it, Mendelssohn, as a composer, was a “minor master . . . working on a small scale of emotion and texture.”most composers since Mendelssohn, Schumann and Brahms, the music-listening public, music critics generally, Haggin exclusively
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